Showing posts with label Carmella Jarvi. Show all posts
Showing posts with label Carmella Jarvi. Show all posts

Friday, May 25, 2012

Times they are a changin'

Six years ago, I was finishing up my final year of teaching. I was “Ms. Jarvi,” a public school art teacher (mostly high school) for thirteen years. I was always busy, some times were worse than others. I juggled a crazy full-time job with a part-time art career.

It was good for many reasons... including that I loved teaching teenagers. But, I left for two main ones. I wanted to pursue my own dreams, instead of putting others’ dreams ahead of mine like I did as a teacher. But most of all, I really longed for time to enjoy my life. Everything was always hectic and running behind, too much going on, etc.

Carlleena Person's work - recent.

Fast forward six years of self-employment, with lots of good and some bad times too. I have tried many things over this time period stemming from my many passions including painting, water, teaching, business and marketing. In the last eighteen months, especially, I’ve inserted myself into a few pretty new experiences for me and feel blessed to be doing some things I never dreamed of.

However, that also led to me juggling five part-time jobs. (There are actually more, but those are most active at this time.) Some of these are exciting. Another one - that used to be great - has become more difficult.

It’s a time of change, no question. Been building and growing, this change spreading like the root of weedy grass. I have been more frustrated than not. Good part is I say the word “no” more, and have even bowed out of some obligations I wanted to participate in, but no longer have time or energy for.
I have been tired and lethargic when not working at a frenetic pace. This brings me to last weekend.

I was attending this awesome Creative Capital “Internet for artists” weekend workshop at the McColl Center for Visual Art, sponsored by the Arts & Science Council. It was an amazing time with lots of other wonderful artists. Hard work with a full weekend schedule, but worth it because it was giving me tools much needed for next stage of my life.

Carlleena Person's work. 

On Sunday, May 20, I check facebook in the morning (as I shamefully most always do)... there was a post about a good friend who was in ICU with a blood clot. This friend didn’t make it through the day. Carlleena Person died from - what appears to be - complications from a major wreck a couple weeks before.

This incredibly talented, young artist was gone. Her generosity and philanthropic work... her inspiring and awesome art-making ceased. Tragedy beyond belief.

After resigning from one of my part time jobs, I can feel a burden lifting. Still pruning to do, but must celebrate small progress. The epiphany of this heart-wrenching week for me is quit working all the time, enjoy life and love my peeps. We can never do all that we want, so we [insert “I”] have to prioritize and limit or be taken over with “to do.”

(Must also add that, as a Christian, I am supposed to - and am recommitting to - give my life to God. Love His people, do the work, but quit worrying about the outcome.)

After six years of transitioning from art teacher and part-time artist to full-time artist and business woman, I have learned that at this stage of my career, I am stuck with not really having “days off” since much of my work is ever changing. The difference is that, now, I am taking time “off” within more of my days.

It’s okay for me to design my work schedule around down time. If today were my last, I would not want it to be spent frustrated and anxious because I did not - yet again - complete everything on my list.

Rest in peace, Carlleena Person. God bless your family and the incredible work you did in your life. You touched more souls than you may have realized!


Thursday, November 3, 2011

Final painting

Here is my final version of latest painting from last post...

I did a few more small, but important, details on the woman and background area.

Waiting and looking at piece towards the end - I think - is more significant than just finishing it to get it done.  In this case, stepping away really allowed me to "see" what few details were needed.




Thursday, October 20, 2011

Pastel painting in stages


Here's one of my recent pastel paintings in stages.

First I use a reddish pastel surface to work on.

 ... since the Cenote Azul photo has a bright green.

Beginnings are always rough.



In this one, I have added more layers of color...


This stage you can see my bold swipes across pastel surface with different parts of my hand...

More layered color, final details & hits of color... Is it finished??

Or should it be a square?

Monday, May 30, 2011

Blogging is fun.

Most artists have multiple revenue sources. It makes more sense-especially in an economy like our current one. I am happy to share that I am now writing for the KnightArts.org Charlotte blog. (This is both a little extra income and a chance to be regularly inspired and challenged by the work being created in my own back yard!)  
 
The John S. and James L. Knight Foundation is a national foundation with local roots. What started out as a mission to fund journalistic endeavors has grown to also encourage and support the transformational power of the arts. In a nutshell, the Knight brothers set up this foundation in the major cities where they owned newspapers and it has taken off from there. It is very encouraging that they have put their money where their passions lie and are serious backers of innovative projects that have impact on the larger society. 

I hope you will stop by and check out my writings (twice a week) about some of the cool art happenings in my own home town. Although in a city the size of Charlotte, writing a couple times a week will barely scratch the surface, it does present me with a great opportunity to highlight some of them!

Friday, April 22, 2011

Mmm, Modern Masters Metallic Paint

I have been enjoying creating loose expressionistic water paintings.  I want to share that I love Modern Masters Metallic Paint!  This is one of my detail shots of a recent abstract, water inspired painting on cradled panel.  I am mixing artist acrylics and these Modern Masters Metallic paints too.




But I might not have ever discovered-among other things-these great materials... metallic faux finishing paint and inexpensive "chip" brushes had I not worked with artist Chris Craft.  He is my husband and business partner and has years of fine art and commercial art painting.  He turned me on to these metallic paints when I was helping him with some of his amazing faux metal ceilings.  (This was when he was "Brushmark Studios.")

Below is another detail of my newer work.  I am exploring "Water" in a more experiential, more expressive and unplanned way... as compared with my better known women in water paintings.  I create depth by painting a layer and sealing it with a layer of gloss varnish.  (There is a richness with the layers, and metallics, and contrast between opaque and translucent that cannot be captured with a picture.)




chriscraftartist.com

www.modernmasters.com





Monday, March 14, 2011

Carmella Jarvi is finalist for McColl Award

I am excited to share that I am a finalist for the McColl Award.  This is the first time it has been offered to individuals, so the fact that I am competing with local arts organizations and still made the final round is admirable!   (More details about the award are at the end.)

I am proposing to do a new large scale body of abstract, water inspired paintings as well as explore water through art, memory, science, etc.  This past summer when I was an Affiliate Artist at McColl Center for Visual Art, I started this new series of abstract water paintings and I also began to think about art as a public process.  

                                              (Detail of one of these new abstract water paintings.) 

Although I have been awarded some artist's grants, I have also heard "no" many, many times.  I would not have applied for something like this probably... but I was encouraged by a couple of individuals who know me and my work.  The pivotal moment for me was in the information session when they asked "what is your dream project?"  

Well, as a self employed artist for five years in a tough economy, my "dreams" in a way have been getting smaller.  So, I stepped back and thought about my passions:  Painting, water and sharing with others.  My dream project would be getting funding for a new body of abstract, water inspired paintings (unlike my safer, collected series of women in water) and to explore water with many others in this community.

So, I dreamed, wrote, networked, brainstormed and edited more hours than I care to admit.  And, finally, submitted the initial application.  To my delight, I am now a finalist for a prestigious McColl Award!  (I will share more about this as I continue the process.) 

______________________________________________________________________________________

McColl Award Overview: The McColl Award was established in 2001 by the Arts & Science Council (ASC) to honor the significant role played by Hugh McColl Jr. and his wife Jane in advancing arts, science and history in Charlotte and Mecklenburg County. This program augments the Arts & Science Council’s commitment to the creative process, and preserves the legacy of Hugh and Jane McColl. 

Award Purpose: The purpose of the McColl Award is to invest in the creation of an original work. Through this award, the Arts & Science Council seeks to:
  • Commission new creative works
  • Inspire creative thinking in the presentation of creative product. Areas could include a unique approach to presenting programming or scientific/historical research projects resulting in exhibitions and/or publications.
  • Increase awareness, recognize excellence and build a greater appreciation for the creative process among the Charlotte-Mecklenburg community.
 


Carmella Jarvi, Artist: Painting a Woman in Water - Part 1 by Carmella Jarvi : Pastel Painting



This is not a brand new video... but I am just learning to use more tools and wanted to post.  This clip is from a DVD that Cheap Joe's Art Stuff (through their Artist Palette Productions division) created.

It is for sale through Cheap Joe's as well as other vendors.  Check out the Title "link" to see purchasing details.  (It's not yet available for downloadable streaming, but they are currently working to bring this choice to the market!)

This is the final completed painting that you see me beginning here on the YouTube clip.  (Notice you hardly see the original reddish pastel surface.)

                                    (Patience too, pastel on board.  24x18".  Private collection.)

Friday, February 25, 2011

Painting water & people bring up good memories

Painting water and people bring up good memories.  This is a new painting... someone gave me a photo of their grandmother at the beach.

Since I also spent many hours at the South Carolina beaches growing up... also many of those times with my own grandmother... it ended up being quite a fun piece.

I have not painted the ocean in many years, but honestly really enjoyed the freedom.

So, here it is in a few stages:  The top one is detail of almost completed painting.  (I might add a touch of something else...)




(This is almost final stage... notice the shoulder is fixed and I brought out light in hand, neck and some other colors in water...)





                          (Earlier "roughed in" stage... getting motion, light/dark)


(This is a 12x9" Richeson Premium Pastel Board-originally reddish color-that had a previous pastel on it.  I rinsed off most of the previous painting... but had some cool 'ghost' markings remain-like the turquoise in her shorts.  I used mostly Unison Soft Pastels, but added a little Sennelier metallic soft pastel too!)




Saturday, January 29, 2011

E-commerce and art.

Who has bought something online? Have you?

I have quite often and don't know many folks who have never made an online purchase. (My grandmother, who is in her 80's, is the only one I can think of off the top of my head.)

Too many traditional galleries are closing, taking on more artists or diversifying by selling "other than original art" products. Most everyone is feeling the pinch of this economy.

The trick to success in tough times is to learn, grow and adapt your business practices. There ARE people making plenty of money in spite of this crazy economy. What are they doing that is different? How can we as artists-who make AND market our products-make more money?

First, follow the trends. How do people purchase and take care of details of their lives? Why online of course!

As an artist, I just got on board with technology in the past five years and I came kicking and screaming. But, once I figured out some basic similarities and strategies for folding technology into my regular business practices, I see the value.... and, honestly, I do enjoy facebook, working on my website and online research.

Still, I don't update enough and may spend too much time on the silly side of fb, but any business person has to balance their day to day operations and adding technology tools is no different.

So, Happy New Year to everyone. As for me, I'm venturing out into uncharted waters with a brand new website (coming soon!) in which all my paintings will be for sale online.

And, I am happy to announce my business is now a division of Brushmark Studios, LLC. My husband and fellow artist, Chris Craft and I are now "officially" business partners.

My prayer is for all of us hard working individuals to have a prosperous 2011!

Wednesday, November 24, 2010

A few things I have learned as a self employed artist

There are a few things I have learned as a self employed artist. Two of the most important are unless you are already generating a lot of income, you should have multiple revenue sources and you should surround yourself with experts, especially in the business fields.

Multiple revenue sources also means creating more passive money making scenarios... like selling a product online while you sleep. I do think we should not overextend ourselves, and that these different things bring us more pleasure than not. (Meaning the work fits us.)

Finally, we should really educate ourselves as to how business works... and I mean learning from people that are successful. If you can't hire someone or are not in those circles, then read Art Calendar Magazine or other business materials. There are numerous books and programs for artists. But, stick with it. We should all have some consistency to our business practices the same as we do with our craft!

One of the cool things about being an artist in Charlotte, N.C. is we have great resources here through our North Carolina Arts Council (www.ncarts.org) and our local Arts & Science Council (www.artsandscience.org). They both offer excellent professional development in the business of art!

This economy is rapidly changing. Look at what is already working for you and what is not... and think about why. When we learn from the good and bad and others who have gone before, it seems we get "there" quicker. I hope we all get there soon!

Thursday, October 14, 2010

Finished.










Here it is... finished. This is the painting-pastel and acrylic on pastel board-I created for the Mint Museum Uptown opening.

(The other one didn't make the cut.)

It's 20x16"... very atypical for me and I love it!

Friday, October 1, 2010

Next stage...

Here they are closer to the end... the orientation has changed, I added more pastel and will paint with metallic acrylics (with some pumice) a bit more over this stage... then hopefully, the finishing touches in pastel tomorrow.












Sometimes you have to finish work for deadlines. This is no surprise for an artist.

But this experience has been so interesting because of the very atypical painting style and subject for me. However, this diptych, inspired by the Mint Museum Uptown collections is really born out of my summer residency at McColl Center for Visual Art.

I was an Affiliate Artist there for from mid-April to mid-August (2010). I had an amazing studio and was able to pursue some bodies of work and do some media exploration that just wasn't happening for different reasons in my home studio!

I will post pics of the final paintings and if you're in the Charlotte, NC area, I hope you'll be joining in the Mint Museum Uptown Grand Opening this weekend. It officially starts at 5PM and runs 24 hours straight... ushering in a new season for my favorite city in the South!

Monday, September 27, 2010

Mint Museum Uptown work... IN PROCESS

Following are three stages of my new diptych (20x16" each) inspired by the art collection of the soon to open Mint Museum Uptown:











1a) Above is a pastel board painted with acrylic, and then a little light & dark pastel added. Finally, water and acrylic washes are painted, sprayed and slung across surface.












1b) Above is the pastel on newsprint sketch of next abstract layer of marks. I was practicing what I wanted to do before doing it on final painting.















1c) Above are steps a & b combined. Not sure where I am going next. (Also notice I changed orientation.)












2a) Above is the second pastel board painted with acrylic, and then a little light & dark pastel added. Finally, water and acrylic washes are painted, sprayed and slung across surface.













2b) Above is the second panel's pastel on newsprint sketch of next abstract layer of marks. I was practicing what I wanted to do before doing it on final painting.















1c) Above are steps a & b combined on the second panel. Not sure where I am going next. (Also notice I changed orientation.)

Friday, September 24, 2010

More Mint Museum Uptown work in process

Here are a few more in process shots of the evolution of my Mint Museum Uptown paintings...

First, you can see the small pastel painting that was the original idea for my more abstract diptych. Then, there are two pastel boards that are basically toned surfaces. Finally in the top middle and bottom left are two acrylic painting experiments.

My original idea was to create a diptych pair of acrylic and pastel paintings inspired by the Mint Museum Uptown art collection. The composition was to be an abstraction of one of my women in water with fabric images. (There is a small pastel painting of this original idea source.)














But, as I have been working on this process of underpainting and figuring out the composition, I am just not into the abstract composition. The full figure keeps coming back. Therefore in this picture below, you can see the original pastel inspiration (in top right), a more abstract acrylic painting that will be the under painting for the pastel boards (bottom left) and the two 20x16" pastel boards with their two separate images.

These will still be a pair, a set, a diptych so to speak... but are starting from two separate images instead of one.














Below is a detail of the more abstract acrylic painting that will be the under painting for the pastel paintings. (I am now working on the under painting of the final boards and will post more pics in the next week:-)


Friday, September 17, 2010

Mint Museum Uptown-inspired diptych (In process)

[I don't post but once a month for quite awhile and then three in one
day!]

Anyway... here is where my basic composition is coming from... for my Mint Museum Uptown inspired diptych painting. (Diptych means two panels... in this case two 16x20" pastel boards.)

Below is an in-process pastel painting, standing alone as a work in itself, from the photo of my model with tulle. The composition for Mint Museum Uptown inspired diptych painting is derived from this. But, I am hoping it to be more abstract.












Below is a-bad-picture of my rough compositional sketches for diptych panels. I will post more as it evolves... as well as invite you, if you're in the Charlotte, NC area on October 2, 2010, to stop by and see my paintings in person. It is FREE. (And, of course, see the AMAZING new Mint Museum Uptown:-)


Mint Museum Uptown in Charlotte, NC

The youtube link below is some pictures of several artist's responses to NEW Mint Museum Uptown in Charlotte, NC...

"Eleven area artists were challenged to create an original work of art in response to the opening of the new Mint Museum Uptown, and as part of the Community Grand Opening. The artists toured the new facility and collection galleries, with sketchbooks in hand. Watch the slideshow for a sample of pieces in progress. The artists and their works will be at the museum during the opening celebration on Saturday, 2 October. Stop by and join in the dialogue!"

www.youtube.com

(And, again, the link to Mint Museum website with Mint Museum Uptown Grand Opening DETAILS... www.mintmuseum.org/grand-opening)

Mint Museum Uptown Grand Opening in Charlotte, NC

I am very excited to be creating a diptych painting inspired by the NEW Mint Museum Uptown! I will finish it during the Grand Opening weekend, working on it Saturday, October 2nd from 10AM to Noon in the 2-D studio. I do hope you'll mark your calendars for this momentous event in the history of Charlotte, North Carolina!!

Saturday's events are FREE! (BUT, it will be a crazy busy uptown with both the Grand Opening and Race for the Cure going on at the same time:-o) Here is a link to find out DETAILS... www.mintmuseum.org/grand-opening

After accepting this invitation to create a new piece of work inspired by the new Mint Museum Uptown, I was treated to a private preview of most work installed up to that point. The Danny Lane commission was almost complete and WOW is it incredible.

I also saw their American Art Collection literally in a new light... they have conserved ALL these paintings and many look like new works, with their details and colors exposed!

SO... following is a peek into my process... I'll write some brief explanations and will post more later.

I am inspired by Chuck Close, Julie Heffernan, Romare Bearden, Eric Fischl and Danny Lane among many others in the New Mint Museum Uptown collection! For the grand opening celebration, I am painting a diptych inspired by these artists, compositionally based on a photo of a woman and fabric in water (seen at the top area of this photo below... along with a smaller pastel painting of this image).














1) Above you see my pencil sketches from the original paintings in the Mint Museum Uptown Collections... and one 16x20" painted pastel board underneath.











2) Here (above) you can see my process... acrylic paints in palette (with pencil sketches from actual works of art in the collection and dark pastel board).














3) Above you can see my process of first painting layers of acrylic metallic washes that will peek through the final pastel layers. (I will then hand brush a layer of clear pastel medium over to give surface some "tooth" to hold soft pastel.)











4) Above is a detail of an experiment with Hosho paper & acrylic paint. Underneath is a glazed pastel board.

5) The two final photos are also details of experimentations with various acrylic washes and metallic paints on this same Hosho paper. (I was thinking I would collage some of these-Bearden style-to the pastel board.... then, cover them with pastel medium and add pastel on top, BUT the thin paper did not collage too well.)















Saturday, September 11, 2010

Reflection

I realized last night that even though I have been an artist all my life and was a teaching artist for thirteen years after college, I have only be a full time artist for four years. It was a quiet epiphany for me.

There are many things that I have accomplished, professionally, since June 2006. But, when I look at how far I have to go, I sometimes get overwhelmed. Last night I clearly saw just how far I have come (especially considering our current economy).

There are a number of entrepreneurial folks I look up to and am learning from... so impressed with their success. But, success takes time... it's usually based on step by step, calculated hard work. This summer has renewed my spirit. I am still up for this challenge! (Now, I must get back into my studio:-)

Wednesday, September 8, 2010

It was the best of times, it was the worst of times...

If an artist is going to put themselves out there, they will experience rejection. The trick is to think strategically and be smart and thorough. I quit my safe full time teaching job to be a full time artist over four years ago.

"It was the best of times, it was the worst of times..." (Charles Dickens quote) This describes my past six months. I have worked very hard over the last four years (and of course before that, but my art business always came after my teaching job). Yet, this summer I have experienced some fruits of those efforts.

However, I have also experienced some serious rejection this summer! SO, simultaneously, there are great things like in September (right now) I have local, regional and national art publicity! But, I also heard a "no" from several grants applications and one residency.

If I were gauging my success on my rejections, I would have never quit my safe teaching job in the first place. Business is a balance of passion (doing what you love), marketing (finding who shares your passion and will invest) and strategic planning (where do you want to be down the road and then steps to get there).

I love to paint women in water. I create other work, but I am passionate about this series and it has become my "brand". Several years ago I said I want to be in American Art Collector Magazine. I waited because strategically, I thought it best to have an ad with a gallery. Now, I am in that magazine in a RedSky Gallery ad and I am mentioned by name in an interview with the gallery owner.

Yet, at the same time, I have received numerous rejection letters... for things I really thought I had a chance at "this time"! So, artists, brace yourself for rejection. Learn from those rejections and move on. IF you want to make your art a business, you must learn what you can from the ups and the downs! Business is just like your art practice in that is a process. I would encourage you to enjoy more of it and use these experiences to get closer to your goals.

Monday, June 28, 2010

My painting process












Oil on canvas diptych, both panels 8x16"... just completed late last week. It's loosely based on a photo of mine... a raindrop hitting the surface of the pool water (as viewed from underneath water).

I started it upside down from this. As most of my oil paintings, I do additive and subtractive painting... letting it dry to the touch in between layers to retain & build that texture.

See this detail below...













And, finally here is what it looked liked in the beginning. When I went back to paint on it, I had a difficult time keeping the original look... and was frustrated. When I let go of the former painting and let it be what it was, I still didn't like it overall. But, I did love the surface!

I turned it upside down and left my studio. When I returned the next day, I was surprised at what a strong painting it was. I signed it and moved on to another one.

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